Winner of the 2010 Sigourney Award! Reading Freud provides an accessible outline of the whole of Freud's work from Studies in Hysteria through to An Outline of Psycho-Analysis. It succeeds in expressing even the most complex of Freud's theories in clear and simple language whilst avoiding over-simplification. Each chapter concentrates on an individual text and includes valuable...(展开全部)

Winner of the 2010 Sigourney Award! Reading Freud provides an accessible outline of the whole of Freud's work from Studies in Hysteria through to An Outline of Psycho-Analysis. It succeeds in expressing even the most complex of Freud's theories in clear and simple language whilst avoiding over-simplification. Each chapter concentrates on an individual text and includes valuable...(展开全部)

This volume, with more than 400 reproductions, will be the most comprehensive publication to date on Lucian Freud, covering a span of seventy years and including many works not previously reproduced. The result is a corpus of great works that reveal him to be the premier heir today of Rembrandt, Courbet, and Cézanne. The book includes not only Freud’s paintings but also his ske...(展开全部)

Over six decades, Lucian Freud has built up a reputation as one of the most distinctive contemporary figurative artists. Freud's startling and disconcerting portraits and nudes have a haunting quality that makes them impossible to forget. This stunning book brings together key works from Freud's entire career, including over 140 paintings, drawings, and etchings, some new, and ...(展开全部)

艾里希•弗洛姆（1900—1980），美籍德裔犹太人，人本主义精神分析学派的代表人物，著有《爱的艺术》《逃避自由》《占有还是存在》《人心》等。弗洛姆十分重视对人与社会的关系的研究。他承认人的生物性，但更强调人的社会性，认为人的本质是由文化的或社会的因素而不是生物的因素决定的。他的思想融汇了弗洛伊德的精神分析学说和马克思的人本主义学说。

让－米歇尔•奎诺多（Jean-Michel QUINODOZ），瑞士精神分析协会成员、英国精神分析学会荣誉会员，在日内瓦拥有自己的精神分析诊所。曾为欧洲国际心理分析学报撰稿达十年之久，目前是多语杂志《新年鉴》的主编。发表著作有《即兴孤独：从精神分析学看分离的焦虑》、《那些过时的梦》。

Freud at Work is a rare glimpse into the life of one of the most celebrated—and most private—artists working today. Though in his eighties, this great figurative artist continues to paint with undiminished energy and discipline. In 120 revealing black-and-white and color photographs taken in Lucian Freud’s London studio, and in a fascinating in-depth interview, we come to und...(展开全部)

Speaking recently about his early years as an artist Lucian Freud claimed, 'I would have thought I did 200 drawings to every painting in those early days. I very much prided myself on my drawing.' Drawing is fundamental to Freud's development as an artist and to how he sees in a way that that it was not, for example, at the foundation of the work of Francis Bacon. Drawing becam...(展开全部)

作者：塞缪尔·韦伯（Samuel Weber） 加利福尼亚大学洛杉矶分校英语教授，加利福尼亚大学洛杉矶分校巴黎批判理论项目主任。在他的许多著作中，有《组织与诠释》（1987）和《大众传媒：形式、技术、媒体》（1996）。 译者：郭侃俊 清华大学外语系文学硕士，曾任北京科技大学外国语学院副院长、国际处处长，现任职于北京师范大学。译有《1848年欧洲革命》《电影创造美国：美国电影文化史》《看电影的艺术》等书。